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http://www.findarticles.com/p/articles/mi_m1589/is_2003... ....
The president, the painter, and porn: actor-painter Jeff Griggs presented a portrait to President Bush in the White House. Then the tabloids discovered his gay-porn past - People - Interview
The invitation was for Griggs to present the 9/11-themed George W. Bush portrait he had painted, which a friend of a friend had recommended to the White House. So he bought airline tickets for himself and his mom, checked his painting with the baggage, and went to meet the commander in chief.
Months later, the tabloids discovered that Griggs, a former Days of Our Lives cast member, had also done all-male adult films in the late 1980s. GAY PORN STAR PAINTS THE PRESIDENT INTO A CORNER, the headline shouted. The stow faded again until April of this year--when a gay gossip Web site and the New York Post dredged it up again. ....
Always a proud supporter of the president, Griggs says his conviction was strengthened by their meeting. "As we stood there and looked at my painting, as we were reminded of the loss," he says, "
I was convinced that he was completely aware of his own humanity and of his failings. But I was also aware that--damn it--he was the president of the United States and he was going to do his damnedest to see that this never happens to our country again." (Griggs can't say where the painting is now, but he's been told its final destination is likely Bush's presidential library.)
Griggs, who's gay and "not single," speaks with admiration of Bush's international AIDS initiative but doesn't feel the need to debate the Administration's policies point by point. "Bottom line is this: I'm sold on the man. Period. He's for us. It's hard not to like the guy."
As for whether Griggs's past "bad choices" really painted the president into a corner, his D.C. contacts tell him that "the White House isn't one bit concerned," he says. "Maybe I needed to have that experience to keep me humble and to remind me that I'm not that far from falling," he says of the gossip eruptions. "It reminds me how fortunate I am to be able to paint and have great friends and family. I am a blessed man."
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and 2, a firebrand who captured Shrub's essence:
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It seems that a sculptor/painter,
Richard SERRA, copied from Spaniard Francisco GOYA, substituting Shrub's face. GOYA's painting, "
Saturn Devouring One of His Sons" was aimed at the repressive Spanish monarchy. Well, Robert NOVAK had a FIT on CNN Friday and again on Saturday.
http://www.skyscript.co.uk/saturnmyth.html .... In the Greek version,
Kronos (Saturn) also became pregnant, but by
swallowing his own children as fast as they were born, having been warned that he would be dethroned by one of them just as he had supplanted his own father. His wife, Rhea, somewhat distressed by the loss of the first five, substituted a stone for the next, the storm god Zeus, who was then raised in secret. After liberating his brothers and sisters,
Zeus led their rebellion - as they had been reborn, he was now the eldest - and so became king of the gods. ....
http://www.nypost.com/gossip/pagesix_u.htm DEMON ART A SHOCKING
image of a blood-spattered President Bush devouring a headless child is causing an uproar. The drawing by sculptor Richard Serra, based on a painting by Goya, is being used to promote pleasevote.com, billed as "a call to vote the Bush administration out of office." It appears on the back cover of The Nation's July 5 issue. Ironically,
Serra, a past recipient of NEA grants, was once praised by First Lady Laura Bush in a White House press release about one of his pieces at a Texas museum. His "Tilted Arc" once graced (or defaced) Federal Plaza in lower Manhattan until it was destroyed in 1989. Pundit
Andrew Sullivan labeled the Bush image "an obscenity" and "simple demonization."
http://www.netserves.com/moca/lectures/boogoya.htm ....
Goya was a lifelong rebel. ....
Goya's observation of the world led him to believe that the eighteenth century philosophers' dream of Reason only produced monsters. ....
...The horrors of war became his subject, and
his paintings and etchings exhibited the atrocities that men visit upon one another in the name of "God and Country." The Third of May, 1808 (below) is Goya's response to the
slaughter of 5,000 Spanish civilians who were executed in reprisal for a revolt against the French army without regard to whether they were guilty or innocent.
Until Goya, warfare was generally painted as a glorified pageant of heros. ....
GOYA's Third of May 1808:
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