David Carr
Cascading Inconvenient Truths
Published: June 19, 2006
THERE have been all sorts of pronouncements in the past week about the ambitions and absurdities of the Iraq war, but nothing in newspapers, on cable or even out there in the blogosphere matched the impact of a deft little turn in the middle of "The War Tapes," a documentary about — and filmed by — a New Hampshire National Guard Unit stationed in Iraq that opened in theaters two weeks ago....
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"The War Tapes" is one of a rash of current documentaries feeding appetites for information and coverage beyond traditional channels of information. "An Inconvenient Truth," a filmed version of former Vice President Al Gore's slide show on global warming, has turned the most boring of issues — and public personalities — into an entertainment. "Who Killed the Electric Car?", a whodunit about the death of electric vehicles in California, landed with enough impact that the Smithsonian removed its only electric vehicle from display last week. "The Road to Guantánamo," a hybrid of documentary and feature techniques, seemed to neatly prefigure the recent events at the prison.
THE current surge in politically inflected documentaries seems like a mashed-up, digital version of the 1960's, when books like "Silent Spring," "Unsafe at Any Speed" and "The Other America" came out of nowhere to define public debate. Those interested in advancing specific points of view these days are picking up the 800-pound pencil of filmmaking, in part because digital technology has made it easier to deliver complicated political messages in a visual narrative.
But the cluster of serious, point-of-view documentaries may also represent something else, a coup d'etat on the status quo. Just as those big books of the 60's took on the elites of the day (chemical companies, Detroit engineers) these films betray a disaffection with their postindustrial counterparts (Hollywood, the traditional news media) for filling theaters with brain-dead blockbusters and neglecting important stories....
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Michael Moore, whose "Fahrenheit 911," and "Bowling for Columbine" set the template for the new political documentary, believes there are two reasons we are seeing these films...."Mainstream media, especially The New York Times, has failed to cast a skeptical eye on those in power," he said. "The other reason is that Hollywood has not done the job of producing interesting films of substance. If journalism isn't doing the job and fiction isn't doing the job, nonfiction has stepped in with compelling characters, good stories and important films."...
http://www.nytimes.com/2006/06/19/business/media/19carr.html