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The subtext isn't summed up in a line or two. It is about the difficulty of recreating yourself or doing away with your past, and about identity itself, in that you can adopt the trappings of another person or another class of person, but not necessarily become that person or class. It is about the dangers of seeing someone or something through the wrong eyes--to me that's the point of the glasses sign--of seeing them only as you want instead of how they really are, so that you judge them as being more than they are, and put your trust in them as the person they pretend they are to you, when the person they really are betrays that trust.
It's also about not being able to exist in a microcosm and not being able to ignore the outside world, and this is constant throughout the story. Tom and Mable have their own little apartment that ignores the facts of their lives, and in the end that kills her. Daisy and Jay have created their own little world, but again the outside world punishes them for it. In the end, Jay has recreated his entire life to become part of Daisy's world, but it's the wrong Daisy he wants to be with, and a colder, more shallow world he joins than the one he thought he was joining, and the leader of that world, in the form of Tom, eventually destroys the world Jay thought he could live in. Jay and Mable are two alternates of the same character--they both want someone from a different world, and they both achieve it for a short time, and in the end it kills them both. For Mable, her fantasy world was a way out of her real world, for Jay, the real world was changed so that he could enter the fantasy world. It didn't matter--neither one belonged, and both were killed by the larger real world.
There's also the whole element of class, of the different values of Tom's class and how the differences were much deeper than just money and business ethics, even of law and ethics. Tom is the most unethical character in the book, even though Jay is the criminal, because his ruthlessness is much more basic than Jay's, and that ruthlessness is what allows Tom to move into the Eastern aristocracy, while Jay never can.
There's even a whole subtext of truth and lies, and the different ways they can hurt or help. Most characters, except maybe Nick, were hiding some lie, and yet the lies saved some and killed others. Jay agreed to lie to save Daisy, yet Tom killed him with a half-truth to hide the bigger lie of his affair with Mable. In the final discussion between Nick and his girlfriend, they both agree to let a lie stand as truth rather than upset things further by admitting what they knew as true.
The whole study of truth and lies, ethics, power, identity, one's past, and denial of reality are timeless, while the specific issues of East versus West, of American values and class, are anchored in the novel's time.
All that, and the breathtaking writing and the tight construction of the novel are why so many consider it the greatest novel in English.
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