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DU Guitarists: How did Robert Fripp get those sounds on "Beauty and the Beast"?

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Taverner Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Nov-09-09 02:34 PM
Original message
DU Guitarists: How did Robert Fripp get those sounds on "Beauty and the Beast"?
You know, the beginning with all that "sawing" sounds?

Is that all managed feedback, or is he actually picking?
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Ahpook Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Nov-09-09 03:16 PM
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1. I've been rather curious myself
This article describes the technique as the "Sky Saw"

I assume that is what he is doing in that tune? :)

http://music.hyperreal.org/artists/brian_eno/enofaqm.html


I imagine you can get close with some choice pedals.
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Taverner Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Nov-09-09 03:30 PM
Response to Reply #1
3. Ahhh Synthesyzed! Makes sense
They got it by "...feeding the guitar through a VCS Synthi synthesizer and digital feedback."
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gmoney Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Nov-09-09 03:22 PM
Response to Original message
2. "Frippertronics" no?
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old mark Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Nov-09-09 04:52 PM
Response to Original message
4. Fripp's basic sound comes from an old trick - plug the guitar into the
input jack of a large old reel-to-reel tape recorder, with a loop of tape on the reels threaded through the heads as if it were a normal tape. Plug the cord to your guitar amo into the Line Out jack of the tape recorder. The distortion and sustain is unbelievable, very thick and saturated. You can control it by using various effects pedals after the signal comes out of the tape recorder. Fripp kept his recorder in a wooden box when playing live so people would not think his music was recorded and he was just faking it.

I was a fan of his for decades, and saw him play in concert abouut 25 years ago.

FWIW, I used the tape recorder idea long ago with a Telecaster and a cheap tube amp, and it worked great.

mark
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Taverner Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Nov-09-09 05:07 PM
Response to Reply #4
5. Wow - nice!
Is that how he got his whole "is that feedback or distortion?" sound?
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old mark Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Nov-10-09 02:13 AM
Response to Reply #5
8. That's it. The recorder acts as a powerful pre-amp gives you that very thick
droning distortion and as much sustain as you want.

It's a neat trick, really.


mark
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mitchum Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Nov-09-09 05:20 PM
Response to Original message
6. His mastery of the occult...
and runnning the guitar threw a synth filter and modulation
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Taverner Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Nov-09-09 05:40 PM
Response to Reply #6
7. But did he use Satan as a distortion pedal?
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