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stick figures, with little depth that GOOD Trek is known for.
The Decker drama sort-of worked... but it ultimately fell flat. Not a bad concept, but not well executed either.
It needed Trek's depth to go with the hard sci-fi... which reminds me, TMP is a lot like "The Changeling" (probe crashes with another entity and merges to become something else) and a couple other TOS scripts... but for recycling plots, they did use different twists and turns (Nomad just obliterated what wasn't perfect. In a way, so did Vger, but Vger catalogued things and later decided humanity was an infestation...)
I did like the transporter accident incident. Even in the 23rd century, problems happened.
Ditto for the wormhole - great effects and camerawork, and it's nice to see the creativity involved in having a refit starship exhibiting some flaws, with Kirk being gun-ho on thinking everything is good to go. The McCoy/Kirk sublot does work better...
It DOES look great; the money spent on the modelwork was a lot ($40 million) but, for the time, it's spectacular. Still looks really good these days.
Still, a movie cannot be sold on effects alone. The concepts are there, but even I, who can handle cardboard sets and pedestrian pacing, will agree it's too slow at times. (At the movie's premiere in 1979, Doohan and Shatner FELL ASLEEP during it. :eek: )
The slowness of the pacing w/ the space scenes do give a sense of realism to space, though Spock's shuttle flying upside down and doing a 360 degree turn, the inertia dampers were working overtime...
Even the laserdisc has an extended scene, not shown in theaters because all the stage scaffolding was visible! :D They could have added that in the director's cut DVD, with CGI to shroud it...
But I do prefer the original over the director's cut, which takes out too much, and is so choppy that it doesn't acknowledge certain cuts (e.g. 3 klingon ships are there, 2 are destroyed, and there's ZERO mention of the third ship even existing... oops...) heck, I even miss the computer voice -- the original has it going "RED ALERT" 5,000^74 times more frequently than it should; the director's cut axes it entirely. (What, no happy middle?)
The hard edge look to the refit Enterprise was great, too.
It's a mixed bag, but I don't hate it. Unlike a couple of the TNG movies -- indeed, all the TNG movies feel disjointed and incomplete. Amateurish, despite being made by the same people who put out a large number of solid TNG TV stories... even "All Good Things", with only one flaw (a probe starts the chain of events, not the future-Enterprise, oops) to threaten the piece.
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