Went to see
Mamma Mia at the beautiful Pantages Theater in Hollywood (expensive, not that I paid, and I got an excellent seat) and so my mind's been reeling with Abba songs ever since. Good thing I like their tuneage, thanks largely to them being a significant part of the musical landscape before I entered my teens.
Anyway, it was an excellent show. I've never been one for a lot of plays, but I've enjoyed most that I've been to and I really liked this one. The thing I wanted to say here was that it struck me that some of the songs I remember from kidhood have dimensions to them a little in excess of what I've always assumed. Perhaps it was the context provided by the play that brought that out.
Regardless, the song "Knowing Me Knowing You" took on a whole other personality as it was used in the show. Kind of dark. And, listening to it, it
is kind of dark. Further, there's something about the vocal flow that I think would really suit it to a serious performance by a male rocker who has a powerful and operatic voice -- I was thinking along the lines of Roy Orbison or Elvis, or jay of Jay and the Americans, but Meatloaf would be a fairly appropriate living counterpart. I really think it could actually work. I think it was done by a man in the play -- can't recall right now -- and the dude I'm thinking of had a tenor voice and there was indeed anger present in the delivery.
Just a thought. Someone get me a recording contract and I'll give it a try myself, dammit...it's high concept, baby.
Knowing me, knowing you
There ain't nothing we can do