The Nation: Red Scare, Black Scare

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Red Scare, Black Scare
By JoAnn Wypijewski

This article appears in the December 7, 2009 edition of The Nation.

November 18, 2009


It must have been about the time that Barack Obama was being born or toddling around that I got my first, alarming introduction to the white man's idea of Africa. As I remember it, I was sitting in my grandmother's parlor, watching TV while she bustled about the kitchen. The images are fractured now: beating drums, a blood oath, white people sleeping in an isolated farmhouse and large, gleaming African men on a rampage with machetes, closing in, in high-contrast black and white; letters scrawled across the screen in a classic scare font, "Mau Mau!"

Maybe this was 1959, when British colonial forces in Kenya finally crushed the seven-year peasant revolt through a counterinsurgency campaign of murder, mutilation, torture, concentration camps and mass public hangings. Or maybe it was 1963, when the Africans of Kenya secured their independence. And maybe a television programmer somewhere thought that the 1955 grind-house shockumentary Mau-Mau, narrated by a proper newsman, Chet Huntley, was good enough to excerpt in a proper news broadcast years later, or even to run as entertainment on a slow afternoon, censoring out the naked black women and half-naked white women on the edge of ravishment, the filmmakers' whole reason for calculating they could make money off such a flick in the first place.

These shards of memory came to mind when I saw the image of Obama as Witch Doctor, which Dr. David McKalip, a right-wing Florida neurosurgeon, forwarded to a listserv of tea-party zealots a few months ago. Liberal bloggers who had made a cottage industry out of caricaturing George W. Bush were predictably appalled, but the unknown graphic artist and McKalip did the country a perverse favor. More than all the words on the subject spilled so far, this lone image banishes the nonsense of postracial America and reminds us of the sturdy foundation blocks upon which racial America in the modern period has rested: white supremacy/anxiety, anticommunism and sex.

The image is a pastiche. Obama's head is grafted onto a picture of a man wearing nothing but bead necklaces and a loincloth, his legs spread wide, his long, thick fingers grasping a stick in front of him. There's a bone through his nose and a confection of feathers and flowers on his head. The picture evokes the world of National Geographic that once gave children a guiltless excuse to indulge their curiosity in the flesh. Under the witch doctor picture is the slogan "Obama Care," with the red, white and blue campaign symbol serving as the O and a sickle and hammer as the C. ..............(more)

The complete piece is at: http://www.thenation.com/doc/20091207/wypijewski

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1. Obama

is being attacked as a communist because attacking him as a black man is too risky. Those of us who have worked to elect him president are not doing a good job of supporting him when we allow the racist imagery. We don't need to educate anyone on the differences between communism, fascism, socialism or anything else we need to cut to the heart of it and ask why a black man causes them such anxiety. The answer will always be because a black man cannot possibly be a "real" American nor be smart enough to understand how exceptional whites are.
Barack Obama is my president because he was the better man for the job and that is the meme we need to express to anyone who denigrates him. Don't let anyone say we trashed Bush so it is okay. We didn't trash Bush as much as he needed to be and we never ever insinuated that he wasn't fully an American.