Will producers turn to U.K. writers?
London grapevine is abuzz with gossip
By ADAM DAWTREY 8/11/07
excerpt:
http://www.variety.com/article/VR1117975626.html?categoryid=2821&cs=1The Writers Guild of Great Britain has pitched in with its own opinion. "We are contacting the major U.K. broadcasters and producers, and the U.K. Film Council, asking them not to dump U.K. material into the U.S. market and not to dress up American projects to look as though they are British," said general secretary Bernie Corbett. "Strike-breaking would at best be a short-term payday but would have a devastating long-term effect on a writer's U.S. career."
That depends, of course, on the attitude of WGA. As one London-based studio exec said, "It's still legitimate for us to be working on non-WGA contracts if the writer is rendering services in the U.K. But some people are freaking out that if you cross a picket line, and you are not WGA already, it may affect your ability to join the union in future."
Brit-based productions are almost always non-WGA -- even the biggest ones developed by the U.K. arms of the studios or produced by companies with studio relationships such as Working Title (Universal), DNA Films (Fox), Marv Films (Sony) and Heyday Films (Warner). None is a WGA signatory, and some have their own independent local financing, so technically they shouldn't be directly affected by the strike, even if they are working on projects written by British members of the WGA.
The London grapevine is abuzz with gossip that marquee American producers have been scouting for non-WGA writers for film or TV projects they would funnel through British production companies.