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From the latest www.tomdispatch.com newsletter: Bacevich, a self-professed conservative, has clearly been a man on a journey. He writes that he still situates himself "culturally on the right. And I continue to view the remedies proferred by mainstream liberalism with skepticism. But my disenchantment with what passes for mainstream conservatism, embodied in the present Bush administration and its groupies, is just about absolute. Fiscal irresponsibility, a buccaneering foreign policy, a disregard for the Constitution, the barest lip service as a response to profound moral controversies: these do not qualify as authentically conservative values. On this score my views have come to coincide with the critique long offered by the radical left: it is the mainstream itself, the professional liberals as well as the professional conservatives who define the problem."
I've long recommended Chalmers Johnson's book on American militarism and military-basing policy, The Sorrows of Empire. Bacevich's The New American Militarism, which focuses on the ways Americans have become enthralled by -- and found themselves in thrall to -- military power and the idea of global military supremacy, should be placed right beside it in any library. Below, you'll find the first of two long excerpts (slightly adapted) from the book, and posted with the kind permission of the author and of his publisher, Oxford University Press. This one offers Bacevitch's thoughts on the ways in which, since the Vietnam War, our country has been militarized, a process to which, as he writes, the events of September 11 only added momentum. On Friday, I'll post an excerpt on the second-generation neoconservatives and what they contributed to our new militarism. <snip> The Normalization of War
By Andrew J. Bacevich
<snip>
Combat in the information age promised to overturn all of "the hoary dictums about the fog and friction" that had traditionally made warfare such a chancy proposition. American commanders, affirmed General Tommy Franks, could expect to enjoy "the kind of Olympian perspective that Homer had given his gods."
In short, by the dawn of the twenty-first century the reigning postulates of technology-as-panacea had knocked away much of the accumulated blood-rust sullying war's reputation. Thus reimagined -- and amidst widespread assurances that the United States could be expected to retain a monopoly on this new way of war -- armed conflict regained an aesthetic respectability, even palatability, that the literary and artistic interpreters of twentieth-century military cataclysms were thought to have demolished once and for all. In the right circumstances, for the right cause, it now turned out, war could actually offer an attractive option--cost-effective, humane, even thrilling. Indeed, as the Anglo-American race to Baghdad conclusively demonstrated in the spring of 2003, in the eyes of many, war has once again become a grand pageant, performance art, or a perhaps temporary diversion from the ennui and boring routine of everyday life. As one observer noted with approval, "public enthusiasm for the whiz-bang technology of the U.S. military" had become "almost boyish." Reinforcing this enthusiasm was the expectation that the great majority of Americans could count on being able to enjoy this new type of war from a safe distance. More....If you haven't seen it yet I'd also recommend the BBC documentary "Why we fight." Real Player required (and a warning, it's a bit long, 1hr 40min) What are the forces that shape and propel American militarism? This award-winning film provides an inside look at the anatomy of the American war machine.
Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life?http://www.informationclearinghouse.info/article8494.htm |
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