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Khephra Donating Member (1000+ posts) Send PM | Profile | Ignore Thu Dec-11-03 04:54 PM
Original message
2 Time Magazine Journalists Hurt in Iraq
By Associated Press

December 11, 2003, 2:15 PM EST


BAGHDAD, Iraq -- A senior reporter and a veteran photographer for Time magazine were wounded along with two U.S. soldiers when a grenade was tossed into their Humvee, the military and the magazine said Thursday.

Time senior correspondent Michael Weisskopf and contributing photographer James Nachtwey were traveling with a U.S. Army patrol in Baghdad on Wednesday night when the attack occurred, a statement from Time managing editor Jim Kelly said.

more..........

http://www.newsday.com/news/nationworld/world/wire/sns-ap-iraq-journalists-wounded,0,5632000.story?coll=sns-ap-world-headlines
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KoKo Donating Member (1000+ posts) Send PM | Profile | Ignore Thu Dec-11-03 05:18 PM
Response to Original message
1. Some Info on Weisskopt, Links:
NOTE: I'm sorry to see this happen to a reporter and cameraman of their stature.
----------------------------------------------------------------------
Truth at Any cost

Ken Starr and the Unmaking of Bill Clinton
Susan Schmidt, Michael Weisskopf

http://www.featuredbooks.com/any_cost.htm
What drove the man who nearly toppled a presidency and forced the most serious constitutional crisis in twenty-five years? Conventional wisdom portrays Independent Counsel Kenneth Starr as a right-wing religious zealot out to destroy the president, and Bill Clinton as a victim whose only "crime" was a private indiscretion.

In Truth at Any Cost, two of America's preeminent investigative reporters, Susan Schmidt and Michael Weisskopf, reveal for the first time what really went on inside the Office of the Independent Counsel. The book details Ken Starr's motivations, his inner struggles, and his anguish as he comes under attack by Clinton's ferocious partisans. It goes behind the locked doors of Starr's office as prosecutors make the fateful decision to pursue the case against Clinton for lying to conceal his embarrassing affair with an intern half his age. Schmidt and Weisskopf lay bare what happened on the night when FBI agents first confronted Monica Lewinsky, how the White House launched a political jihad to survive, and how Starr's team agonized over Clinton's fate.

For four years, the bland, smiling man behind the investigation of President Clinton remained a mystery, both to many who supported him and to those who feared him. Until now. Truth at Any Cost shows Ken Starr in a new light: as an upright but politically naive prosecutor who withstood public vilification to pursue the truth--including what he and his deputies saw as the president's attempts to use the power of his office to thwart a legitimate inquiry. Here is an unblinking look at the battle between Starr's legal absolutism and Clinton's chronic evasions. It examines Starr's impassioned quest to bring the president to justice, and explains how Starr eventually became a casualty of his own mission, leaving the arena as bloodied as the man he had pursued.


BIO:---http://www.time-planner.com/planner/about_time/bios/senior_editori---------------------------------------------------------------------------------
n 1998, Weisskopf, along with Washington Bureau Chief Michael Duffy and Correspondent Viveca Novak, was awarded the prestigious Goldsmith Award for Investigative Reporting, sponsored by Harvard University's Joan Shorenstein Center for Press, Politics and Public Policy, for their portfolio of investigative stories on campaign finance abuses. (TIME shared that award with the Seattle Times.) In 1999, he and chief political correspondent Eric Pooley were given the Henry R. Luce award for "Outstanding Story" for a piece they wrote on Kenneth Starr called "How Starr Sees It."

Weisskopf joined TIME in January 1997 from The Washington Post. In his 20 years with the Post, he covered politics, the environment and the Pentagon. He was the paper's correspondent in China from 1980 to 1985 and covered the hostage crisis in Iran in 1979 and 1980. Prior to joining the Post, Weisskopf covered politics and government for The Baltimore Sun. He began his career in journalism at The Montgomery Advertiser in Montgomery, Alabama.

While at the Post, Weisskopf won the George Polk Award for national coverage and The Everett McKinley Dirksen Award for Distinguished Reporting of Congress. In 1996 he was a finalist for the Pulitzer Prize for National Reporting. He is the co-author with David Maraniss of Tell Newt to Shut Up, which chronicles the rise and fall of the Gingrich revolution and was published in 1996 by Simon & Schuster's paperback division.

Weisskopf received his Master of Arts from the Johns Hopkins School of Advanced International Studies and his Bachelors degree from George Washington University. He is fluent in Chinese.

He lives in the District of Columbia with his wife Judith, their two children, Skyler and Olivia, two dogs and three cats.


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KoKo Donating Member (1000+ posts) Send PM | Profile | Ignore Thu Dec-11-03 05:23 PM
Response to Original message
2. And a link about James Nachtwey's career as a photographer. Amazing!
Edited on Thu Dec-11-03 05:29 PM by KoKo01



http://www.war-photographer.com/nachtwey_e.htm




------------------------------------------------------------------------


The first link is the best, but here's a little about what he trys to show in his photographs:

James Nachtwey Photographs

"I deal with raw evidence, but I want it to have a sense of deeper emotion. Compassion is the uniting force in this bookcompassion in the face of injustice, struggle, tragedy and loss." Nachtwey

"Pictures of famines and war have to be uncompromising. You can't pull punches when you're trying to show people what's going on. I don't want to make generic images that just show that something is happening out there." Nachtwey

"I want people to feel, I suppose, what I feel, which is anger and compassion, a sense that what's happening is not acceptable." Nachtwey

"With 'Inferno' I am seeking a deeper and broader treatment of eventssomething with a narrative, cinematic quality; something that possesses not only a structure integral to the single image but also
the connections between images. It is an attempt to create a path that viewers can negotiate in
order to come to a personal understanding of events by piecing them together from various moments
and perspectives." Nachtwey

"Being a witness, I think it is very important to be honest, to be eloquent, and to be powerful."
Nachtwey

"It's meant to be a kind of visual archive, so that this work will enter into our collective conscience and our collective memory." Nachtwey

"At the very beginning, I think I was still interested in the dynamics of war itself as a kind of fascinating study. And it evolved into more of a mission whereby I think to present pictures of situations that are unacceptable in human terms became a form of protest. So I found that my pictures were actually specifically trying to mitigate against the war itself."
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bicentennial_baby Donating Member (1000+ posts) Send PM | Profile | Ignore Thu Dec-11-03 06:46 PM
Response to Original message
3. Weisskopf's hurt bad
I just saw it on NBC Nightly News, a grenade landed in the humvee and he picked it up and tossed it. It exploded in the air, and blew off his hand.
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KoKo Donating Member (1000+ posts) Send PM | Profile | Ignore Thu Dec-11-03 07:00 PM
Response to Reply #3
4. That's really bad. Thanks for the update. n/t
He's an oldie. From his picture, and I've seen him on CNN and Pundit shows. He's supported the Repugs, but I don't like to see this happen to our troops or anyone reporting on them.
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Moderator DU Moderator Donating Member (1000+ posts) Send PM | Profile | Ignore Thu Dec-11-03 07:37 PM
Response to Original message
5. Dupe....please continue here:
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