Welcome to DU!
The truly grassroots left-of-center political community where regular people, not algorithms, drive the discussions and set the standards.
Join the community:
Create a free account
Support DU (and get rid of ads!):
Become a Star Member
Latest Breaking News
General Discussion
The DU Lounge
All Forums
Issue Forums
Culture Forums
Alliance Forums
Region Forums
Support Forums
Help & Search
Marty McGraw
Marty McGraw's Journal
Marty McGraw's Journal
December 5, 2015
To understand the two sides of Steve Martins performing talents, check out his one and only hit single, 1978s King Tut. On the A-side was the novelty funk hit about the Egyptian boy king. On the B-side, two deep cuts that showed off Martins formidable Americana/banjo chops: the traditional Sally Goodin (circa 1860, but existing on recordings since 1922 ), and Hoedown at Alices an original written for his then stand-up manager Bill McEuens wife.
Its not what youd expect from the Wild and Crazy Guy, but Martins banjo had always been a part of his act. He taught himself at 15 years old, playing along very slowly to Earl Scruggs records. He told an interviewer:
The reason I played it on stage is because my act was so crazy I thought its probably good to show the audience I can do something that looks hard, because this act looks like Im just making it up. I really wasnt. I worked very hard on it.
Which is a long way of saying: When Martin recorded an album of banjo favorites in 2009, The Crow, won a Grammy without relying on a single joke, then enlisted the help of the North Carolinian Steep Canyon Rangers to go on a tour, it should not have really been a surprise.
When he teamed up next with The Steep Canyon Rangers and recorded Rare Bird Alert in 2011, Martin started to combine comedy and music once again, and with this above novelty song, he gets to indulge in the beautiful harmony singing that bluegrass groups like The Stanley Brothers, The Louvin Brothers, and the Osbourne Brothers made so popular in the mid-century. (There wasnt just banjo pickin on those LPs, you know.) The above appearance on Letterman is a great rendition of a concert favorite, Atheists Dont Have No Songs.
So in this month of arguments over the Starbucks holiday cup, let Mr. Martin and group add a palliative to any hurt atheist feelings. You guys rock.
P.S. Martin got a chance to play with his hero on the same late-night program.
sorry upon edit; did not know how difficult to embed youtube links in text was to accomplish
Steve Martin Writes a Hymn for Hymn-Less Atheists
To understand the two sides of Steve Martins performing talents, check out his one and only hit single, 1978s King Tut. On the A-side was the novelty funk hit about the Egyptian boy king. On the B-side, two deep cuts that showed off Martins formidable Americana/banjo chops: the traditional Sally Goodin (circa 1860, but existing on recordings since 1922 ), and Hoedown at Alices an original written for his then stand-up manager Bill McEuens wife.
Its not what youd expect from the Wild and Crazy Guy, but Martins banjo had always been a part of his act. He taught himself at 15 years old, playing along very slowly to Earl Scruggs records. He told an interviewer:
The reason I played it on stage is because my act was so crazy I thought its probably good to show the audience I can do something that looks hard, because this act looks like Im just making it up. I really wasnt. I worked very hard on it.
Which is a long way of saying: When Martin recorded an album of banjo favorites in 2009, The Crow, won a Grammy without relying on a single joke, then enlisted the help of the North Carolinian Steep Canyon Rangers to go on a tour, it should not have really been a surprise.
When he teamed up next with The Steep Canyon Rangers and recorded Rare Bird Alert in 2011, Martin started to combine comedy and music once again, and with this above novelty song, he gets to indulge in the beautiful harmony singing that bluegrass groups like The Stanley Brothers, The Louvin Brothers, and the Osbourne Brothers made so popular in the mid-century. (There wasnt just banjo pickin on those LPs, you know.) The above appearance on Letterman is a great rendition of a concert favorite, Atheists Dont Have No Songs.
So in this month of arguments over the Starbucks holiday cup, let Mr. Martin and group add a palliative to any hurt atheist feelings. You guys rock.
P.S. Martin got a chance to play with his hero on the same late-night program.
sorry upon edit; did not know how difficult to embed youtube links in text was to accomplish
Profile Information
Member since: Sun Jun 21, 2015, 01:53 PMNumber of posts: 1,024