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Related: Editorials & Other Articles, Issue Forums, Alliance Forums, Region ForumsHyperrealistic Paintings Reveal the Animalistic Inner Selves of NYC Subway Riders
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The characters in Grabelskys paintings act as if theres nothing out of the ordinary about their appearance. They don business attire, brave the rush-hour commute, and pass the time by perusing the latest GQ magazine. The inclusion of their furry (or scaly) faces adds an element of the extraordinary to events that occur every day.
While these figures bring some unexpected fun to a crowded ride, theyre imbued with symbolism. The man/beast dyad is seen throughout history in mythologies and religions around the world. Here, Grabelsky has applied a pop-culture aesthetic to a long-standing concept, using it to represent whats going on in the hidden subconscious of these characters. For an idea of whats beneath their human mask, we only need to look at the animal representing themtheir temperament, desires, and motivations are revealed through the spirit of the creatures.
http://www.mymodernmet.com/profiles/blogs/matthew-grabelsky-animal-subway-paintings
rug
(82,333 posts)msongs
(67,498 posts)REP
(21,691 posts)Many look like pretty good digital renderings, but not quite photo- or hyperrealist. I found the series a bit too precious, but I'm old.
TalkingDog
(9,001 posts)I never got why they changed photorealism to hyperrealism anyway. It's basically the same style.
REP
(21,691 posts)But as I said, I'm old - I remember Duane Hanson and pieces that were about more than "look what I can do." Throughout the ages, there have been artists with astounding draft skills - Vermeer and Dalí come immediate to mind - and many modern hypers' skill may surpass theirs but a lot of their work ends up being sterile and/or self-conscious.
Not that I wouldn't mind being able to draw that well!
Egnever
(21,506 posts)They are certainly well done but one has to wonder why the women weren't done as well. Just made the paintings feel strange to me.